Guests: Daniel Köhler, Georg Fassl, Gregor Eichinger, Helen Palmer, Indre Umbrasaite, Iris van der Tuin, Kristina Schinegger, Nikola Marincic, Stefan Rutzinger, Vera Bühlmann
Hosted by: Ludger Hovestadt, Jorge Orozco, Adil Bokhari, Miro Roman
Reviews Schedule:
Day 1 - 01.06.2021
10:00 - 10:20 Introduction
10:20 - 11:00 Joel Brandner
11:00 - 11:40 Lukas Notz
11:40 - 12:20 Tatjana Bergmeister
12:20 - 14:00 Lunch
14:00 - 14:40 Jan Bauer
14:40 - 15:20 Radenka Nikolova
15:20 - 16:00 Moritz Maeder
Day 2 - 02.06.2021
10:00 - 10:40 Leonie Huber
10:40 - 11:20 Heloise Dussault-Cloutier
11:20 - 12:00 Fabio Indergand
12:00 - 13:30 Lunch
13:30 - 14:10 Luca Meister
14:10 - 14:50 Jierui Yu
14:50 - 15:10 Coffee/Tea Break
15:10 - 15:50 Kieran Chapman
15:50 - 16:30 Maud Haas
ALIENATIONS
in the time of corona,
sitting at home,
connected with the world.
we feel like laughing.
sitting at the edge of the world.
we start thinking.
an alien building of the last century (ludwig wittgenstein house, vienna, 1928)
meets an alien figure of today's media (lenny belardo aka jude law by paolo sorrentino, 2016)
you look at me
and I look at you.
I'm the world,
I'm the world,
the world in a box.
METEORA #04 is an architectonic exercise
on our cultural heritage
and its challanges of today.
white noise,
beautiful white noise.
in a room without a roof
i'm staring at the ceiling.
METEORA #04 will use artifical intelligence
to write a text to explicate a precise position in today's world,
to create a spectrum of images to reflect this world
and design an architectural artefact which brings things into adequate proprotions
in the plentiful noise of today
lenny will help us to talk about the world today, and
ludwig will help us to make detailed architectonic arguments.
METEORA HAS A MOODBOARD OF 1000 BOOKS AND 1000 MOVIEs
METEORA IS ONLINE ON INSTAGRAM
METEORA PRESENTS WITH TEXT, IMAGES, DRAWINGS, AND ANIMATIONS
S4E1 ON TEXT AN ALIEN BUILDING OF THE LAST CENTURY MEETS AN ALIEN FIGURE OF TODAY'S MEDIA
LUDWIG’S HOUSE:
SUPPOSE YOU CAME AS AN EXPLORER INTO AN UNKNOWN COUNTRY WITH A LANGUAGE QUITE STRANGE TO YOU.
LENNY:
NOTHING SO STRANGE ABOUT THAT.
ALIENATION1; CHARACTER1; NEW FACE OF LANNY IN VIENNA
TALK TO LENNY? WHAT IS THE NEW FACE OF LANNY ABOUT? WHAT ARE ITS DRIVES, OBSESSIONS, COLOURS, ASPIRATIONS?
HE HAS FOUND A HOUSE WITH A MOST INTERESTING TEMPER!
CONCEPTUALISE THE ALIENATION OF LANNY
WHAT DOES HE WANT TO SAY TO THE WORLD?
WHICH CONCEPTS HE WANTS TO WORK WITH?
ALIENATION2; CHARACTER2; NEW FACE OF WITTGENSTEIN HOUSE
TALK TO WITTGENSTEIN’S HOUSE? THE HOUSE WELCOMES A RETIRED POPE WITHOUT LOSING ITS FACE.
ALIENATE THE HOUSE, SPATIALISE LANNY’S CONCEPTS!
HOW IS LANNY TALKING TO THE CITY?
HOW CAN ARCHITECTURE ACCOMMODATE THE TALKS?
CONSTITUTION; THE TALK; THE PROJECT; THE ARCHITECT
THE TALK BETWEEN LANNY AND THE HOUSE.
HOUSE DEMANDS FROM LANNY, LANNY DEMANDS FROM THE HOUSE.
ARTICULATE THIS DELICATE BALANCE, CONSTITUTE A WELL TEMPERED ENVIRONMENT
CITY - HOUSE - CHAMBERS - LANNY
ROAD - WALL - GARDEN - HOUSE
S4E2 on images THE alienations(‘) SHOW
I SEE THAT LENNY LOOKS LIKE A POPE, YET HE WALKS SILLY. THAT THE HOUSE WELCOMES LENNY, YET IT HAS NO DOORS. LENNY AND THE HOUSE MAKE THEIR ACQUAINTANCE—AN ODD HANDSHAKE AND A SKEPTICAL GAZE. IS IT LENNY’S SMELL OF AHUEHUETE, MYLAR TRACKSUIT, OR TAMIL ACCENT? IS IT THE HOUSE’S DEAD SYMMETRICAL EYES, MIDSUMMER’S EVE TAN, OR MARBLE WALKING CANE? THE HOUSE AND LENNY LEARN TO TALK TO EACH OTHER, LISTEN TO THE NEIGHBORS, AND SING SONGS WITH THE CITY. IT IS TIME TO SHOW THEIR FRIENDS, FETISHES, AND WHAT LIVING TOGETHER MAY LOOK LIKE.
I SHOW A CATALOG OF THE BUILDING THAT LENNY AND THE HOUSE WANT TO HAVE. I PRESENT WITH EXAMPLES WHAT THE FAÇADES, COMPARTITIONS, WALLS, ROOFS AND OPENINGS MAY LOOK LIKE. FROM THE CATALOG, THE FORMS OF THE ALIENATED BUILDING WILL BE ENGENDERED.
I ALSO SHOW A MOVIE ABOUT THE HOUSE'S AND LENNY’S ALIENATION. I PRESENT WITH EXISTING SCENOGRAPHIES, OBJECTS/SUBJECTS, ACTIONS, DIALOGUES AND SOUNDS, HOW THEY TURN THEIR WORLDS AND BECOME CURIOUS ABOUT EACH OTHER. FROM THE MOVIE, THE AFFAIR BETWEEN THE HOUSE AND LENNY WILL ENGENDER SENSE.
PANORAMAS OF CINEMA —A VIDÉOTHÈQUE WITH OVER TWO THOUSAND HOURS OF MOVIES, SEARCH ENGINE AND PANORAMA CREATOR— WILL ASSIST ME.
s4e3 ON MODELS THE ALIENTATIONS PLAY
ON THE STAGING OF THE HOUSE
ON THE SCREENING OF THE TALKS
ON THE CONSTITUTION OF THE project
MODULE 3 FOCUSES ON THE COMPOSITION OF AN ARCHITECTURAL MODEL THAT LOOKS BOTH AT AND THROUGH THE PANORAMAS FROM THE FIRST TWO MODULES. stages are located, screens are activated, scenes are rendered. AN APPROXIMATION DEMONTABLÉ CONSISTING OF MANY POSSIBLE RENDERINGS, THE COMPOSURE OF WHICH COMES FROM THE PROJECTIVE STREAMS BETWEEN THAT WHICH IS HEARD, AND THAT WHICH IS SEEN.
A PLAY WITH TOYS, GAMES, AND TOOLS.
A PLAY OF TEXTURES, MODELS, AND STYLES.
A PLAY IS PAINTED, ASSEMBLED, AND SCULPTED
